The Hippodrome (Bands)
31
Mar 09
Crib Sweetner
It’s sort of difficult to call this my own composition, since it’s more a celebration of this really fun and silly riff from “Moutchatcha Franyra.” This one goes out to my best dancer, Mu Abeledo.

25
Mar 09
Bubble Spinner
What am I doing instead of reading a biology paper? I’m playing goddamn Bubble Spinner. Old news to the addicting gamers, I know, but damn it’s addictive. I’m not a master, but here’s what I’ve found out:
- Look ahead at all costs. Interior breaks that knock huge arms off are way more important than the little clusters on the side.
- The first bubble is always green. If you can’t knock off something with it, hit reset.
- Aim carefully with your mouse. Don’t take shots you might miss.
- To rack up some points in later rounds when you’re near the end, deliberately miss the pack. Wait until more are added, get rid of those, and then keep going. When you’re getting 4 or 5x, this can add up.
- If you haven’t started playing, don’t.
Anyone else got tips?
-Ben
16
Mar 09
Manhattan Captain
It’s getting warmer. Here’s an attempt at a “Summertime Beat.” The piano is a Franky Sin-at lick, and the trumpet is courtesy of Clifford Brown.
Blush wine to go with it.
5
Nov 08
What The Hippodrome Has Become!

Friends,
The Hippodrome has existed for over a year as a bastion of unsigned music. I started this blog because I thought traditional record labels were lame and obsolete, and I’ve tried to create a place that tried to debunk the myths surrounding the word “signed.”
After a year of brooding on the industry’s problems, I feel that there are still valid aspects of the record label, namely the camaraderie of being on a team, the promotional benefits, and the ability to organize creativity constructively. The things I still don’t like are the traditional cost structures, the use of CDs as a release method, and the master-narrative-turned-plague phrase, “music-piracy.”
This is why, with three of the best “unsigned” bands I’ve ever come across, I’ve started Amazing Wow, a new type of music label. At Amazing Wow, we offer all our music for free online, making money off on-site ads, merchandise, and tours. I sincerely believe this model is the future of the industry. No pay what you want conscience tripping crap and no DRM. We’re hosted on a carbon-neutral server, and are working on beautiful t-shirts, heavy gram vinyl, and other creative merchandise that people will actually want to buy.
Never have I questioned the idea that bands are businesses, but I have tried to question the way that the business is run. Amazing Wow has a long way to go, but just as you’ve all read this blog, I hope you’ll stay current over there. We’ll be keeping an eye on music industry news, and of course, we’re open to “unsigned bands” just like The Hippodrome has always been. So get over there and start downloading!
Thanks again for the support.
Ben
26
May 08
Rooftops
Rooftops are a math rock trio heavily influenced by recent Chicago visionaries like Pele and Don Caballero. The band is about to hit the road with The Americas, a Santa Rosa duo that are also looking to make their mark on the west coast. Bellingham, Washington, is the band’s home, and it isn’t a scene to scoff at either; beneath the home town heroes of Death Cab for Cutie lie hearty labels like Estrus Records that have churned out more than a few regional legends.
While Rooftops only have a few demos of recent work available, the band’s chops and groove tactics make them stand out from the crowd. “Robuts” is a rough recording from last year, but it still shows them playing solid instrumentals reminiscent of some of David Longstreth’s earlier music.
Audio: Robuts
24
May 08
Southern Road Trip ’08 (Part 2: The Gulf Coast, Hattiesburg, Jackson, Vicksburg, Greenville)

(This is a continuation of a multi-part post. For part one, click here.)
Mississippi is a glorious state. If it wasn’t so hot (it was about 95 and humid today in Clarksdale), I’d love to live here for a while. We’ve been dressing fairly low profile and keeping the camera as discreet as possible, but even when they recognize we’re Northern tourists, people are still impeccably friendly and hospitable.
We left New Orleans last Thursday after a refreshing walk on the much hipper Frenchmen street, away from the girls (reluctantly) gone wild over on Bourbon. Local roads took us through the still much destroyed lower ninth ward, hit hardest by Katrina. We made our way up the gulf coast, hugging the shore as much as possible and eventually ending up in Gulfport.
There we visited an austere naval base where my grandfather was once stationed, and a b-b-q joint that was reduced to its foundations, blown away and abandoned. A picture on the wall of Daddy’s Little Kitchen, our replacement lunch locale, showed the building up to the roof in water. Even in the once affluent city of Biloxi, the only significant signs of industry were the massive casinos that rose like mountains off the man made beaches.
Depressed enough with the ravaging of Katrina, we skipped Mobile and headed instead to the sleepy town of Hattiesburg. We finally realized we had no idea what we were doing, and entered our second independent bookstore of the trip in search of a Mississippi guide. I managed to insinuate a “we’re from Boston” in the exchange with the cashier, and within twenty minutes, we had heard the life stories of the bookstore’s owners, the cashier (Diane) and her husband. We diligently wrote down every independent bookstore in Mississippi, and then borrowed Diane’s umbrella, enabling us to visit a local farmer’s market in the sunny rain.
At the market, I talked to a teen selling her photographs. She looked me square in the eye and explained that they “were an attempt to capture the essence of Mississippi.” Dropping another “we’re from Boston, sorry if we look lost” at a soap stand warranted a friendly “oh! I used to be stationed at Fort Devens!” and some friendly banter about the weather. Remarking on the weather is always a good idea.
A couple hours north, we hit the Elite Restaurant in Jackson, the state capital. The next morning at breakfast (which I slept through), my dad told me of a big family proudly reading off a U.S.A. Today every state Obama has won so far. Exploring the downtown in the morning showed another sleepy town, and in a downtown park parched by the heat, this church mural projected itself across the square… super southern Gothic:
West to Vicksburg brought us to the beautiful, 16 mile National Park that showed us the locales of one of the most important civil war battles. The conflicting inner narratives in the visitor’s center and tour were fascinating; the hokey 50s movie that we watched kept calling both sides “valiant” and “indisputably heroic.” My favorite of the 1300 statues was the Kansas memorial. The circles symbolize the union before, during, and after the war:
North to Greenville (via a national wild life refuge where I did indeed come within 20 feet of a wild alligator) created some inner disputes. Greenville was the poorest place I’ve ever visited… a waterfront casino has helped generate enough crime to board up most of the downtown, pushing commerce to the chains on the strip. Junior’s Juke Joint, an excellent delta blues resource, suggests several places in the neighborhood and urges people not to be afraid of the roving pimps and drug dealers that haunt the best places downtown.
We made a good faith effort to find some music, but nothing seemed to be going on. We ate at the now famous Doe’s Eat Place, sitting right in the kitchen between a man explaining to his son the ways the devil can get you, and a party of high school grads, arms tentatively around their girlfriends. A rove around town the next morning demystified some of the previous night’s uncertainties:
Now we’re in Clarksdale, soaking in the crossroads and visiting a few blues places tonight. The ways that music and culture influence eachother down here raise alot of interesting prompts, but that’s for a more detailed examination. I’m going try to take a video of Robert Belfour at Red’s Place tonight, and will have all the details in a few days… assuming an alligator doesn’t get me first.
22
May 08
The Old Believers
One of my favorite new blogs is BiBaBiDi. While the site has been around a bit longer than FensePost, I am a newbie in checking it on a daily basis. Simply put, I trust the guy’s opinion. The daily posts cover music I appreciate and the look and feel is very modern and hip. So why all this regarding a separate blog? Well, because a recent post covered an upcoming album I just received. That artist is The Old Believers and their album, out July 10 by their own release, is called Eight Golden Greats.
The Old Believers’ style of old-time folk-pop appears to take hints from the 60s and 70s style folk in the same manner as She And Him did on their recent debut Volume One. There’s an abnormally heavy emphasis on percussion, which sets The Old Believers aside from your traditional folk-pop artist, but where someone like The Lovely Sparrows focuses this effort on cymbals, The Old Believers do so on the bass drum.
Then they switch back and forth between crafty, romantic male- and female-fronted vocals. While I have yet to delve too far into the album, I wanted to begin spreading the word as this release is quite phenomenal. Expect a glowing review of Eight Golden Greats come July.
Audio: Granny’s Song
Audio: The Trouble I’ve Met
(This post was contributed by Andrew Fenstermaker of FensePost)
21
May 08
Southern Road Trip ’08 (Part 1)
Armed with my laptop, a camera, a tape recorder, and my trusted pops, I have embarked this week on a southern road trip. We’re in New Orleans now, driving to Mobile tomorrow, then all through Mississippi (on country roads) for four days, then ending up in Memphis. We’ve sketched some vague locales we’d like to visit (some blues joints and road food places), but the rest is unplanned. Wherever I can find some internet, I’ll give a report on anything interesting I find.
I haven’t idealized this trip as some vague appropriation of what the “south” is, but rather as an attempt to see a part of the country I’ve never seen. Naturally, undiscovered music will be a primary concern, and I’ll hopefully be able to write some longer pieces about what I find. Even just today in the city, it’s been weird (though unsurprising) to see what seat blues, jazz, and zydeco have taken in the hands of tourism. Bourbon street is a depressing mess of the seediest strip clubs mixed with tired performers doing half-hearted renditions of funk and soul standards. There are still some authentic places and performers here, but I think times have changed, hard.
Sorry I didn’t get any cool field recordings from some mind blowing two fingered blues guitarist on the street, but there’s still alot of ground to cover. A few photos from today’s wanderings, graveyards, garden districting, and street car riding (click for full size):















